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It will also cover the position of cybernetics in the increasingly systematised art practices of the 1960s, while focusing on evolutionary moments in Roy's own practice. In this issue, dedicated to the late Ranulph Glanville, Louis H.
Kauffman discusses "Cybernetics, Reflexivity and Second-Order Science".
From the Abstract: "...potentially essential to the development of new forms of computation, circular causal relations, as well as human interaction and Understanding Understanding". Doing so gives us an opportunity to engage with speakers' work ahead of time and will help support a more robust and lively discussion with our invited guests.
The Cybernetics Society is authorised and regulated by the Financial Services Authority. Raul Espejo, former Operations Director of Project Cybersyn, will open a debate about designing fairer societies.
Cybersyn was a Chilean project from 1971-1973 during the presidency of Salvador Allende which aimed at constructing a distributed decision support system to aid in the management of the national economy.
The project featured innovative technology for it's time and embodied notions of organisational cybernetics in industrial management. In 2016, Chile participated at the London Design Biennale with the installation "The Counterculture Room" - designed by Fab Lab Santiago - where the story of the Cybersyn experience was told. Joseph Corneli writes: We take the 50th Anniversary of the famous Cybernetic Serendipity exhibition, curated by Jasia Reichardt at the London's Institute for Contemporary Arts, as our inspiration for a one-day workshop "Cybernetic Serendipity Reimagined".
Where: Embassy of Chile (37-41 Old Queen Street, SW1H 9JA). In recent years, anticipation of AI systems with increasingly unpredictable behaviour leads us to reconsider the role that serendipity may play in a computational context.